Home » Uncategorized » Scheherazade’s Facade
        

Scheherazade’s Facade


Scheherazade’s Facade
edited by Michael M. Jones
$14.95 paperback, 208 pages, ISBN 978-1-61390-058-1
$9.99 ebook, 116,000 words ISBN 978-1-61390-059-8

Formats: :

Circlet Press digital titles are also available at the Amazon Kindle Store, B&N.com, Smashwords, Kobo, Apple’s iBookstore, and many independent booksellers via Google ebooks, as well as specialty ebookstores like All Romance eBooks, and Weightless Ebooks, to name just a few! (Please let us know if your favorite source for digital books does not carry this title and you want them to.)

About the Book:

“For starters, honey, I don’t believe in Hell–that’s just some old man’s way of telling me reasons why I can’t be me. Like “biology is destiny” means I have to be a boy.”
– “Lady Marmalade’s Special Place in Hell” by David Sklar

There have always been stories of those willing to blur or transcend the traditional gender roles. Some do it out of necessity, others are merely embracing their true selves. Sometimes it’s for fun, other times survival. Every culture has their gender benders, their cross-dressers, their rule breakers. From Bugs Bunny to Mulan, Alanna of Trebond to Klinger, our folk heroes and cultural icons push boundaries and challenge expectations.

In Scheherazade’s Façade, twelve of today’s most intriguing authors spin tales of magic, mystery, self-discovery and adventure, each with a twist. In these pages you’ll find shape-shifting dragons, triumphant drag queens, tragic selkies, lost princes and would-be warriors. You’ll find star-crossed lovers and mysterious travelers, cross-dressers and gender bending heroes of all sorts.

This launch title for Circlet’s new Gressive Press imprint features all-new fantasy and urban fantasy from Tanith Lee, Sarah Rees Brennan, Tiffany Trent, Aliette de Bodard, Alma Alexander, David Sklar, Melissa Mead, C.S. MacCath, Paolo Chikiamco, Sunny Moraine, Lyn C.A. Gardner, and Shanna Germain.

Look under the cut for an excerpt!

from The Secret Name of the Prince by Alma Alexander:

The “private” Khshayarsha had been given a royal name–but that was the only gift that he had of his family. He did not remember his father, only the story that armed men had burst into their home in the middle of the night when Khshayarsha was barely more than a baby and had taken his father away with them. The man who had been the head of the household, the man Khshayarsha might have called Father once he had learned to speak, had never returned. In the aftermath of this ruin, his mother had sat like a statue, blank-faced and silent; she had not eaten nor allowed a drop of water to pass her lips if she was not fed by another hand or forced to swallow water trickled into her mouth slowly from a chipped cup. She had clung to life even thus, stubbornly, perhaps waiting for her husband to come back against all odds–she had put forth what protection and power she had, leaving herself vulnerable and out in the open, the only target left for those who had taken her husband–but eventually she too was gone. Khshayarsha had still been too young, could not remember ever having heard the sound of his mother’s voice.

It was Shahrazad who took care of him. Shahrazad, the elder sister, the only thing that stood between him and the place where both his parents had somehow vanished to and left him. Shahrazad, who had dressed him as the girl-child their mother’s final glamour had made him seem like; Shahrazad, herself under the guise of a boy, who had smuggled him out of the place which had started to smell of death and abandonment… and taken him elsewhere, and hidden him in the dark, and told him that he must pretend–at least for a little while–to be somebody else, someone other than Khshayarsha.

“We should all take secret names,” she told him. She had spoken in a soft voice which he would wonder, later, when he came to think about things, if she had used because she had wanted to soothe a fractious toddler or because she was so afraid of being overheard. “A new name for a new being, and then we have to change to fit the new skin. You can pick your own. And then you have to work at your transformation. Everything depends on how good you are at it.”

“A name?”

“A creature, maybe,” she had said. “What kind of creature do you think would be able to survive, hidden, quiet, waiting for the right moment to come back out into the sun?”

“A mouse?” he had offered, after a moment’s thought.

“Mouse,” she agreed. “We will call you Mouse.”

“And what are you?” he had asked, rousing just a little.

She had thought about it, but not for long. “Desert fox,” she said. “But it’s a secret name. You must not tell anyone about it.”
Even if there had been anyone to tell. They had been alone in the dark hiding place she had taken him to–the boy glamoured as girl, and the girl glamoured as boy, disguised to muddy their trail for those who still sought them–and often even she was gone, out somewhere alone, coming back with food wrapped in bazaar rags, or a skin of wine she would water down for him, or toys to amuse him in the dark.

And once, a book.

He had been too young to know his letters. He had no idea if his sister had ever been taught them or not, but she had brought the book and Mouse assumed that she knew how to read it–and so he had demanded that she read it to him, to while away the hours in which she was there with him.

She said yes, and she’d sit there with him in the crook of her arm and halfway across her lap, and he had thought she would read to him. It was only later, much later, that he thought about the fact that there was little light and that she could not possibly have seen enough to read from the book she held open before them as fluently as she told her stories. Much later, when she was long gone. It was much later, too, that he realized that she had been telling him only the truth–his favorite stories were those about Desert Fox, which was her own secret name between the two of them, and there could have been no stories written about the deeds of the Desert Fox in a book like the one she had brought back into their lair.

Know, then, O Mouse, that Desert Fox went out into the streets of the city in the daytime, dressed as a dirty street boy, the hair that had been her pride hacked untidily away just above her shoulders and swinging in matted tangles from underneath a sloppily tied head-cloth.

The streets were rough and dangerous, and there was a language to them all of their own–and maybe a language that changed subtly if you rounded a corner and turned into a new street. And it all had to be learned. And it was tough out there for one who was also learning to thieve cheese and day-old unleavened bread and olives for the Mouse she kept safe in the secret den where Fox lived… to which she must never, ever, not even accidentally draw anyone’s eye for the Mouse was a Prince of his nation and would have to be kept safe from harm.

And the Fox would sometimes sit in the bazaar, cross-legged by the fountain where people wandered by, and would offer to sell stories for a coin if someone would give him–the ragged storyteller boy–a coin for his pains…and a beginning. And people often did not know that it was their own stories that they were telling to the boy, and that the boy was collecting them all, and hoarding them, and winnowing from them nuggets of precious knowledge which those who had told it would have died of mortification to know that they had let slip without realizing it. Or killed, to protect it. The boy had to be all things, he had to be bright and intelligent and spin a tale worth the coin–and he had to be carefully stupid, and pretend not to have heard the things that were left unsaid on the ground between them, those who bought stories and him who sold them…

In the beginning Mouse was young enough to endure his dark prison–the Desert Fox would take him out sometimes, at night, into streets empty of people, and wander with him on the cobbles still slimed by that day’s market offal, and then away, into winding streets with high walls and secret gates and fragrant gardens whose scents spilled over the walls and into the street below.

“I remember,” Mouse sometimes said, pausing underneath a particular archway hung with purple flowers or some kitchen gate into an alleyway where scents of sumptuous feasts warred with the odor of wasted and rotting food collecting in the gutters where bright-eyed night rats would sometimes gnaw and nibble at it before scuttling away into the shadows as Mouse and Fox approached with light step, themselves keeping out of sight. “I remember this. I remember, I was a boy back then.”

To read the rest, buy the paperback or ebook today!

Scheherazade's Facade
Scheherazade's Facade
The gender lines are blurred and transcended in twelve tales of magic, self-discovery, and adventure, penned by some of today’s most intriguing authors. In these pages, you’ll find heroes and villains, warriors and tricksters, drag queens and cross-dressers, tragedy and triumph. Featuring all-new work from Tanith Lee, Sarah Rees Brennan, Alma Alexander, Aliette de Bodard, and more, Scheherazade’s Façade is filled with surprises and beauty, and may just challenge the way you see the world.
Price: $6.99
Formats: :

No Comments

  1. Ping from OA Podcast #26: Michael M. Jones at WFC | The Outer Alliance
  2. Ping from Author Interview: David Sklar (Bibliotheca Fantastica) – Dagan Books, LLC

Leave a Reply

Your email address will not be published. Required fields are marked *